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Valerio Rotini Oil on Canvas - £165

Krausmann Oil on Canvas - £120

Elisabeth Fairthorne Oil on Board - £295

George Melvin Rennie Oil on Board - £210

William Birnie Rhind Watercolour - £275

Emil Clahr Oil on Board - £175

M. Agyris Oil on Canvas - £165

J. Cairns Watercolour - £215

Watercolour of Windsor Castle from the Thames c.1820 - £255

Victorian Gentleman Oil on Canvas - £595

Thomas Crawford Oil on Board - £70

Sydney Wilson Oil on Board - £60

18th Century Capriccio Ink Wash - £90

West End Park, Glasgow Framed Print - £65

Castle Bolton Watercolour - £165

Hilary Birch Watercolour and Pen - £545

Art d'Ecrire Copperplate Engraving £195

Mid-Century Portrait of a Man £275

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Large Original Oil on Canvas Landscape Painting - Signed V. Rotini

Details:
Medium: Oil on canvas
Artist: Valerio Rotini (Italian, b. 1911)
Signature: Signed lower left
Unframed Size: 49.5 × 69.5 cm
Framed Size: 60 x 80cm
Condition: Good vintage condition with light, age-appropriate wear. There are three small areas of historic retouching visible in the ground, sky, and trees, all of which are well executed and barely noticeable under normal viewing conditions. These are fully illustrated in the photographs.
Frame: Decorative gilt frame included

Buy Now: £165

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Medium Original Oil on Canvas Danish Street Scene Painting - Signed Krausmann 47

Details:
Artist: Signed Krausmann
Date: 1947
Medium: Oil on stretched canvas
Subject: Scandinavian / Danish street scene
Unframed Size: 27 × 38 cm
Framed Size: 36 × 47 cm
Condition: Slight age-related craquelure, particularly near the top-right-hand corner. A few marks on the frame. Does not detract from the painting's overall appearance.
Frame: Original vintage frame, included and ready to hang

Buy Now: £120

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Medium Original Oil on Board Ben Wyvis Painting - Signed Iain L. Campbell

Details:
Medium: Oil on board
Artist: Iain L. Campbell (Scottish)
Date: 1954
Signature: Signed and dated, lower left
Subject: Ben Wyvis, Easter Ross
Unframed Size: 37 × 54 cm
Framed Size: 45 × 62.5 cm
Condition: Very good vintage condition with minor age-related wear; painting securely seated within its frame
Frame: Framed and ready to hang

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Small Original Oil on Board Painting The Old Brig o' Dee - Signed Geo Melvin Rennie

Details:
Medium: Oil on board
Artist: George Melvin Rennie (Scottish, 1874–1953)
Signature: Signed
Unframed Size: 29 × 21 cm
Framed Size: 35 × 27 cm
Condition: Good vintage condition with light, age-related wear
Frame: Framed and ready to hang

Buy Now: £210

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Large Coloured Mezzotint Throwing A Kiss c. 1923 - Signed Sydney E. Wilson

Details:
Medium: Coloured mezzotint engraving
Artist: Sydney Ernest Wilson (British, 1869–1940), after Jean-Baptiste Greuze (French, 1725–1805) Title: Throwing a Kiss (Le Baiser Envoyé)
Signature: Pencil signed in the margin
Unframed Size: 42 × 34 cm
Framed Size: 63 × 55 cm
Date: Published c. 1923
Condition: Good vintage condition with light age toning and scattered foxing consistent with age
Frame: Glazed and ready to hang

Buy Now: £60

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Medium Oil Painting Portrait of a Boy Mid-Late 20th Century - Unsigned

Details:
Medium: Oil on board
Artist: Unsigned
Title: Untitled
Unframed Size: 43 × 33 cm
Framed Size: 49 × 39 cm
Date: Mid-Late 20th Century
Condition: Good vintage condition with light age-related wear to the frame
Frame: Lightweight oak frame showing slight separation at corner joints as seen in pictures

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Small Oil Painting The Ring Pond Chatsworth - Signed FM. Stevenson

Details:
Medium: Oil on board behind glass
Artist: Fiona M. Stevenson
Title: The Ring Pond Chatsworth
Unframed Size: 24 × 18 cm
Framed Size: 41 × 35 cm
Date: Likely late 20th Century
Condition: Good vintage condition with light age-related wear to the frame
Frame: Metal glazed frame
Labels: Hanover Fine Arts label verso

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Large Oil Painting Backwater 1937 - Signed EF 37

Details:
Medium: Oil on board
Artist: Elisabeth Fairthorne
Title: Backwater
Signature: Bottom right of painting inscribed "EF 37". Verso inscribed "Backwater (Shiplake, Henley, Marsh Lock) Elisabeth Fairthorne, 23 Vicarage Road, Henley, Oxon, 1937
Unframed Size: 64 x 82 cm
Framed Size: 78 × 96 cm
Date: 1937
Condition: Good vintage condition with light age-related wear to the frame. Two small holes in the top-centre of the board, possibly from old fixing. See photos,
Frame: Cream-painted wooden frame with age-related wear and cracking to the corners. See photos.

Buy Now: £295

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Large Watercolour Painting In the Nursery 1859 - Signed C. J. Basebe

Details:
Medium: Watercolour and pencil
Artist: Charles Jones Basebe
Title: In the Nursery
Signature: Signed and dated “C.J. Basebe 1859” at bottom right
Plate Size: 54.5 × 42 cm
Framed Size: 83 x 68 cm
Date: 1859
Condition: The paper exhibits noticeable discoloration, likely due to an old acidic mount, resulting in a warm, aged tone. There are areas of foxing to the paper. The frame is old and structurally weakened, showing significant flaking and chipping. Glazing remains clear, unscratched, and intact. The mount is likely non-archival and has contributed to the overall discolouration. The artwork remains visually appealing despite age-related issues and retains strong colour in many areas.
Frame: Gold-painted wooden frame with age-related wear and cracking to the edges. See photos.

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Classical Scene 18th Century Capriccio

Details:
Medium: Drawing
Artist: Alexander Wust
Signature: Drawing signed verso Alexander Wust. Mount inscribed verso Jean de Bonneguise, Bishop of Arras
Unframed Size: 22 x 33 cm
Framed Size: 48.5 x 57 cm
Date: 18th Century
Condition: The drawing is in good condition, with no obvious signs of deterioration. See photos for details.
Frame: The frame is in good condition. See photos for details.
Label: On the back of the original mount is an old inscription of a former owner, “Jean de Bonneguise (or Boureguise), Bishop of Arras,” who died in 1769. The reverse of the drawing also bears the name of the 19th-century American artist and collector Alexander Wust. As the style and technique of the work accord with 18th-century classical capriccios rather than 19th-century production, Wust’s signature is best understood as evidence of former ownership, not authorship. The earlier attribution on the mount, therefore, appears to reflect the drawing’s original provenance rather than a later assumption.

Buy Now: £90

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Orthodox Icon - The Baptism of Christ

Details:
Medium: Mixed media on carved wooden panel (kovcheg)
Artist: Unknown Greek or Greek-diaspora icon painter
Signature: Inscribed in English at the top “Baptism of Christ”; Greek Christogram “IC XC” inscribed within the composition
Size: 43 × 34.5 cm
Date: Mid–late 20th Century
Condition: Good vintage condition with age-appropriate wear. The paint surface and panel are stable. See photos for details.
Panel Construction: Traditional carved kovcheg recess with raised outer border; reverse with two wooden battens set into grooves and reinforced with screws, a hybrid of traditional and modern icon-panel techniques.

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Large Mezzotint Engraving The Sign Painter - Signed T. Hamilton Crawford

Details:
Medium: Mezzotint engraving, coloured
Artist: Thomas Hamilton Crawford (Scottish, 1860–1948), after Jean-Louis-Ernest Meissonier (French, 1815–1891)
Title: The Sign Painter
Signature: Pencil signed in the margin, lower right
Unframed Size: 42 × 32 cm
Framed Size: 69 × 56 cm
Edition: Limited to 375 (as stated on label verso)
Date: Early 20th century
Condition: Good vintage condition with age-related toning to the mount; light surface wear to the frame. The image itself is clean and well-preserved.
Frame: Glazed, in a vintage black frame with Boots framing label verso; ready to hang

Buy Now: £70

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Small Aquatint Etching Lake of Menteith (in Golden Haze) - Signed Claude H Rowbotham

Details:
Medium: Hand-coloured aquatint etching
Artist: Claude Hamilton Rowbotham (British, 1864–1949)
Title: Lake of Menteith (In Golden Haze)
Signature: Pencil signed in the margin lower right
Edition: Limited to 100 signed artist’s proofs (as stated on label verso)
Plate Size: 15 × 20 cm
Framed Size: 37.5 × 48 cm
Date: Early 20th century
Condition: Good vintage condition with age toning to the mount; small water mark to lower right corner of mount; image itself clean and colours strong
Frame: Glazed in a vintage black frame with original label verso; ready to hang

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Acrylic Painting St Stephen's Church, Frederick Street - Signed M. B.

Details:
Medium: Acrylic
Artist: Myra Ball (contemporary)
Title: St Stephen's Church, Frederick Street
Signature: Signed bottom right
Plate Size: 19 × 24 cm
Framed Size: 31 × 36 cm
Date: 2019
Condition: Very good condition with little to no ageing or damage.
Frame: Glazed in a beige wooden frame with gallery label verso; ready to hang

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Large Oil on Board Portrait Study – Signed M. Miller

Details
Medium: Oil on board
Artist: M. Miller (20th century)
Signature: Signed in paint, lower right
Unframed Size: 55 × 40 cm
Framed Size: 68.5 × 53 cm
Date: Circa 1960s–1970s
Condition: Good overall condition. Under ultraviolet light, a faint splash-like staining pattern of possible varnish with drip marks is visible in places; this is barely perceptible under normal viewing conditions and does not detract from the overall presentation. Light, age-related wear to the frame.
Frame: Presented in a gilt frame of likely earlier date than the painting; glazed and ready to hang

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Portrait of a Gentleman Writing – Oil on Canvas, Mid-19th Century

Details
Medium: Oil on canvas
Artist: Unknown (19th century)
Signature: Unsigned
Unframed Size: 75 × 62 cm
Framed Size: 94 × 82 cm
Date: Circa 1850s
Condition: Very good overall condition. The canvas has undergone professional conservation, including two localised repairs and strip-lining, all of which are stable and unobtrusive. Minor, faint areas of possible uneven or thin varnish are visible in places, including small patches near and on the sitter’s face; these are subtle and do not detract from the overall appearance. The painting presents very well. The frame shows light, age-related wear consistent with its period.
Frame: Presented in what appears to be the original mid-19th century gilt frame; in good condition and ready to hang, with new hanging fixtures and cord fitted

Buy Now: £595

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Victorian Landscape with Figures and Distant House – Oil on Canvas, 1888

Details
Medium: Oil on canvas, laid down and presented behind glass
Artist: E. F. Atleys
Signature: Signed and dated ‘E. F. Atleys, 1888’, lower left
Unframed Size: 39 × 48 cm
Framed Size: 57 × 64 cm
Date: 1888
Condition: Good overall condition. There is light surface dirt and foxing to the canvas, and minor dirt to the glass, consistent with age. A small area of possible historic retouching is visible in the sky. These are minor and do not detract from the overall presentation. The work remains stable and displays well.
Frame: Presented in its original and highly attractive Victorian glazed frame, bearing the original label of A. H. Meyer, Picture Frame Maker, 26 Forrest Road, Edinburgh. Fitted with a metal hanging loop and ready to hang, though it may benefit from re-stringing

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Medium Oil Painting Aegina Harbour near Athens, Signed Agyris

Details
Medium: Oil on canvas
Artist: M. Argyris (b. 1939)
Signature: Signed lower right
Unframed Size: 38.5 × 48 cm
Framed Size: 59 × 68 cm
Date: 2002
Condition: Excellent overall condition. The paint surface is clean and stable, with no visible losses, lifting, or restoration. Colours remain fresh and vibrant, and the work displays extremely well.
Frame: Presented in a gilt frame, likely original to the time of issue, and in very good condition. Fitted with hanging wire and ready to hang.
Provenance: Accompanied by the original Certificate of Authenticity issued by The Athens Gallery, Athens, dated 2002. The reverse also bears official Greek export stamps from recognised cultural authorities, confirming legal export.

Buy Now: £165

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West End Park, Glasgow (now Kelvingrove Park) – Framed Print After a Victorian Illustration

Details
Medium: Colour print on paper
Subject: The West End Park, Glasgow (Kelvingrove Park)
Presentation: Mounted and glazed
Image Size: 26 × 35 cm
Framed Size: 50 × 58 cm
Date: Late 20th century. Original illustration - 1890s
Condition: Excellent overall condition. The print remains clean and bright, with no visible fading, foxing, or staining. The mount is fresh, and the glazing is clear. The work displays extremely well.
Frame: Presented in a substantial modern gilt frame in very good condition, with only minimal signs of handling. Fitted with hanging wire and ready to hang.
Notes: Bears the original printed title label beneath the image, reading “The West End Park – Glasgow”.

Buy Now: £65

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Birnie Rhind R.S.A. (1857–1933) – Scottish Coastal Landscape, Signed Watercolour

Details
Medium: Watercolour on paper
Artist: William Birnie Rhind R.S.A. (1857–1933)
Signature: Signed lower left “Birnie Rhind R.S.A.”
Plate Size: 27 × 36 cm
Framed Size: 42 × 52 cm
Date: Early 20th century (undated)
Condition: Good overall condition. The surface is clean and stable, with no tears, losses, or restoration. There is light foxing and mild age-related discolouration consistent with age. Colours remain well preserved, and the work displays well.
Mounting: Mounted within a high-quality cream mount and backed with a rigid support board. The mount is clean and presents well, with no visible staining.
Frame: Presented in a later oak frame, likely dating from the late 20th century. Good structural condition, with minor separation to some mitres. Glazed and ready to hang.

Buy Now: £275

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Fäbodar, Swedish Rural Landscape, Oil on Panel Signed CLAHR

Details
Medium: Oil on board
Artist: Emil Clahr
Signature: Signed lower right
Image Size: 38 × 48 cm
Framed Size: 47 × 57 cm
Date: Mid–late 20th century (undated)
Condition: Good overall condition. The paint surface is clean and stable, with no visible losses, lifting, or restoration. Colours remain fresh and well preserved, and the work displays very well
Frame: Presented in a decorative frame, likely dating from the late 20th century. The frame is in good structural condition and presents well. Fitted with hanging wire and ready to hang.
Provenance:
The reverse bears the artist’s handwritten inscription “Fäbodmotiv (Bro, Västbo)”, identifying the subject and location.

Buy Now: £175

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Portrait of a Queen's Own Cameron Highlanders Officer, Scottish School, c.1830–1850, Oil on Board

Details
Medium: Oil on artist’s board
Artist: Scottish School (unsigned)
Signature: Unsigned
Image Size: 24.5 × 19 cm
Framed Size: 36.5 × 32 cm
Date: c.1830–1850
Condition: Good overall condition. The paint surface is clean, stable, and well-preserved, having been professionally cleaned. There is no visible craquelure, warping, retouching, or restoration. Colours remain strong and well-balanced, and the portrait presents exceptionally well. The board is structurally sound. The frame shows minor age-related surface dirt but remains in good overall condition.
Provenance: The reverse of the original artist’s board bears a printed supplier’s label for Alexander Hill, Publisher and Colourman to the Scottish Academy of Painting, Sculpture and Architecture, 67 Princes Street, Edinburgh. Hill is recorded at this address between 1828 and 1866, confirming the painting was executed on a contemporary artist’s board supplied in Edinburgh during the mid-19th century.
Frame: Presented in a period frame, likely dating from the mid-19th century. Structurally sound and attractive, with a worn but partially legible framers' label to the reverse reading “22 South Street, Perth,” indicating Scottish framing and ownership history. Ready to hang.

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Castle Bolton, Wensleydale - Watercolour Landscape, Signed AyJay

Details
Medium: Watercolour on paper
Artist: AyJay (English School)
Signature: Signed “AyJay” lower left
Image Size: 29.5 × 39.5 cm
Framed Size: 45.5 × 55 cm
Date: Mid–20th century
Condition: Good overall condition. The watercolour surface appears clean and stable, with colours remaining vibrant and well preserved. There is some light staining visible to the corners of the mount consistent with age, but this does not detract from the overall presentation. The work displays well.
Frame: Presented in a decorative glazed frame, likely dating from the mid–late 20th century. The frame is in good structural condition and presents well. Fitted with hanging wire and ready to hang.
Provenance: The reverse retains a framer’s label for G. Bennett, Wimbledon, indicating period framing and presentation.

Buy Now: £165

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Hilary Birch (Contemporary) – Webster's Land in the Snow, Watercolour and Pen

Details
Medium: Watercolour and pen on paper
Artist: Hilary Birch (Contemporary School)
Title: Webster's Land in the Snow
Signature: Unsigned; identified by handwritten paper label verso
Image Size: 54 × 74 cm
Framed Size: 77 × 94.5 cm
Date: Contemporary
Condition: Good overall condition. The surface appears clean and stable, with no visible damage noted to the artwork. Colours remain fresh and well-preserved, and the composition displays very well overall.
Frame: Presented in a simple light wood glazed frame. The frame is in good structural condition and presents well. Fitted with hanging wire and ready to hang.
Provenance: The reverse bears a handwritten paper label identifying the artist as Hilary Birch and giving an Edinburgh address, providing useful supporting information for the work’s attribution.

Buy Now: £545

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J. Cairns – St Margaret’s Loch, Holyrood Park, Signed and Dated Watercolour, 1878

Details
Medium: Watercolour on paper
Artist: J. Cairns
Signature: Signed and dated lower left “J. Cairns 1878”
Image Size: 17 × 25 cm
Framed Size: 35 × 39 cm
Date: 1878
Condition: Good overall condition. There is some slight age-related discolouration and foxing to the paper, visible in the sky and lighter passages, as shown in the photographs. This is consistent with the age of the work and does not detract from its overall charm, instead helping to accentuate the white highlights in the clouds. The composition remains clear and attractive and displays well.
Frame: Presented in a later glazed decorative frame with a clean mount. The frame is in very good condition and presents the work well. Fitted and ready to hang.

Buy Now: £215

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Original 18th Century Copperplate Engraving Art d'Ecrire (The Art of Writing), Pl. 2 - From Diderot & d'Alembert's Encyclopédie - Benard direx.

Details
Medium: Copperplate engraving on laid paper
Engraver: Atelier of Jacques Renaud Benard (French, 1731–1794), signed in plate Benard direx.
After: Charles Paillasson (French, 1718–1789)
Title: Art d'Ecrire (The Art of Writing), Plate 2
Plate Size: 23 × 16 cm
Framed Size: 56.5 × 46 cm
Date: c. 1763
Condition: Good overall condition. There is some light age toning to the paper, consistent with a work of this period. No visible foxing, tears, or losses to the image area. The engraving remains crisp and legible throughout, with fine detail clearly preserved in the figures, writing implements, and interior scene. The work displays very well and retains considerable period charm.
Frame: Presented in a substantial glazed gilt frame with a deep green mount. The frame is weighty and well-made, complementing the age and character of the print. Fitted and ready to hang.

Buy Now: £195

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English School c.1820 – Watercolour of Windsor Castle from the Thames

Details
Medium: Watercolour on paper
Artist: English School, unsigned
Title: View of Windsor Castle from the Thames
Image Size: 40 × 25.5 cm
Framed Size: 54 × 40 cm
Date: c. 1820
Condition: Good antique condition overall. The watercolour has some gentle age-related fading and light overall toning, consistent with a work of this period. There may be minor scattered surface marks and very light handling wear, but nothing that detracts from the overall presentation. The composition remains charming and highly decorative, with fine architectural detail and attractive period character throughout.
Frame: Presented in a glazed black frame with a gilt slip and cream mount. The work is attractively set out and ready to hang.

Buy Now: £255

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Mid-Century Portrait of a Man, Oil on Board, Edinburgh Framer’s Label Verso

Details
Medium: Oil on board
Artist: Unattributed
Signature: Unsigned
Unframed Size: 29.5 × 24 cm
Framed Size: 48.5 × 43 × 8 cm
Date: Mid-century
Condition: Good overall condition with no visible paint losses. The frame has minor age-related scuffs and wear, as shown in the photographs.
Frame: Presented in a striking deep ebonised frame with gilt slip, which appears to be of earlier date than the painting. A partial Edinburgh trade label remains verso, reading “69 Shandwick Place” and “19 Salisbury Place,” likely relating to the historical studio or framer associated with the frame. Ready to hang.

Buy Now: £275